2026-04-05T03:49:02Zhttps://repositorio.iaph.es/oai/requestoai:repositorio.iaph.es:11532/3300772025-04-09T09:23:23Zcom_11532_3col_11532_162977
Activos Digitales IAPH
author
Ager, Francisco J.
author
Respaldiza, Miguel A.
author
Gomez-Moron, María Auxiliadora
author
Núñez Casares, Lourdes
author
Fernández Ruiz, Eugenio
author
Martín, Lourdes
editor
Mosquera, María Jesús
editor
Almoraima Gil, Maria Luisa
2020-01-15T11:27:13Z
2020-01-15T11:27:13Z
2018
978-1-315-15864-8
https://hdl.handle.net/11532/330077
Tota Pulchra (around 1600), a high quality copy of a painting made by an anonymous artist copying probably an Italian painter Giuseppe Cesari, was recently restored due to its bad conservation state. Before and during its intervention, the artwork was analysed in order to get information about materials and painting technique and help at the restoration process. Several invasive and non-invasive techniques for material
identification have been used. Extracted samples were studied with OM, SEM-EDX, FTIR and GC-MS. The results revealed the usual palette for the 16th century, linseed oil binder, chalk based preparation and a complex pigment mixture for priming, as well as several later interventions. Under the OM, also organic fibers from the
canvas were identified as flax support for the painting.
eng
© Instituto Andaluz del Patrimonio Histórico
Restauración de patrimonio
SEM
Microscopía
Análisis
Química
Pinturas sobre lienzo
Inmaculada Concepción
Analysis of materials during the restoration of Tota Pulchra
info:eu-repo/semantics/bookPart
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URL
https://repositorio.iaph.es/bitstream/11532/330077/1/Analysis_materials_Kriznar_Respaldiza_Gomez_Conserving.pdf
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Analysis_materials_Kriznar_Respaldiza_Gomez_Conserving.pdf
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https://repositorio.iaph.es/bitstream/11532/330077/5/Analysis_materials_Kriznar_Respaldiza_Gomez_Conserving.pdf.txt
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Analysis_materials_Kriznar_Respaldiza_Gomez_Conserving.pdf.txt