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Por favor, use este identificador para citar o enlazar este ítem: https://hdl.handle.net/11532/330077
Título : Analysis of materials during the restoration of Tota Pulchra
Autor : Ager, Francisco J.  
Respaldiza, Miguel A.  
Gomez-Moron, María Auxiliadora  
Núñez Casares, Lourdes
Fernández Ruiz, Eugenio
Martín, Lourdes
Fecha de publicación: 2018
Fuente : Conserving Cultural Heritage, 2018, pp. 71-73
Tipo de documento: Capítulo/Parte de Obra
Descriptores temáticos: Restauración de patrimonio
SEM
Microscopía
Análisis
Química
Pinturas sobre lienzo
Inmaculada Concepción
Editor Científico: Mosquera, María Jesús
Almoraima Gil, Maria Luisa
Código ISO Idioma: eng
Resumen: Tota Pulchra (around 1600), a high quality copy of a painting made by an anonymous artist copying probably an Italian painter Giuseppe Cesari, was recently restored due to its bad conservation state. Before and during its intervention, the artwork was analysed in order to get information about materials and painting technique and help at the restoration process. Several invasive and non-invasive techniques for material identification have been used. Extracted samples were studied with OM, SEM-EDX, FTIR and GC-MS. The results revealed the usual palette for the 16th century, linseed oil binder, chalk based preparation and a complex pigment mixture for priming, as well as several later interventions. Under the OM, also organic fibers from the canvas were identified as flax support for the painting.
Editorial : Leiden : CRC Press
ISBN: 978-1-315-15864-8
Derechos: © Instituto Andaluz del Patrimonio Histórico
Derechos URL: https://creativecommons.org/licenses/by-sa/4.0/deed.es
Fecha de depósito: 2020-01-15T11:27:13Z
Fecha disponible: 2020-01-15T11:27:13Z
Formato: application/pdf
URI: https://hdl.handle.net/11532/330077
Aparece en las colecciones: Capítulos/Parte de obra
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