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dc.contributor.authorVieria, Marciaes_ES
dc.contributor.authorNabais, Paulaes_ES
dc.contributor.authorAngelin, Eva Mariasolees_ES
dc.contributor.authorAraujo, Ritaes_ES
dc.contributor.authorAlmeida Lopes, Joaoes_ES
dc.contributor.authorMartín, Lourdeses_ES
dc.contributor.authorSameño, Martaes_ES
dc.contributor.authorMelo, María Joaoes_ES
dc.date.accessioned2023-03-30T13:29:40Z-
dc.date.available2023-03-30T13:29:40Z-
dc.date.issued2019es_ES
dc.identifier.issn1873-3743es_ES
dc.identifier.urihttps://hdl.handle.net/11532/363704es_ES
dc.description.abstractThe conservation of Islamic manuscripts in the Fondo Ka'ti created the opportunity to study the organic red colourants applied in five manuscripts, which include a Koran (1198), a theology treatise (14th c.), a book of poems from Al-Sarishi (15th c.), a biography of the Prophet (1468) and manuscript 19 (1485). These dark red colours were characterized using fibre optic reflectance spectroscopy (FORS-VIS), microspectrofluorimetry and infrared spectroscopy (microFTIR). Microspectrofluorimetry detected the presence of a lac dye chromophore in all the manuscripts studied and ascribed it to specific medieval recipes for three of the manuscripts. This was based on the very good matches obtained with our database of paint reconstructions that were prepared according to medieval technical sources; the dark reds found in the Koran compared very well with the recipe ‘to make red ruby from lukk’ from Ibn Bādīs text (11th c.); the brighter reds applied in the book of poems and in the biography of the Prophet, with recipe 113 from the Paduan manuscript (16th c.). MicroFTIR completed the characterization of the paint formulation, identifying the proteinaceous nature of the binding media as well as the fillers. It also showed the presence of oxalate compounds, possibly, resulting from the binding media degradation, a mark of the recent and dramatic history of these books. Finally, these red dyes were successfully compared to lac dye colours previously characterized in 12th-13th c. Portuguese manuscript illuminations. From Mali to Iberia, tracing the rich diversity of a precious heritage legated by medieval Arabic culture.es_ES
dc.formatapplication/pdfes_ES
dc.language.isoenges_ES
dc.publisherElsevieres_ES
dc.rights© Instituto Andaluz del Patrimonio Históricoes_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/deed.eses_ES
dc.sourceDyes and Pigments, 2019, nº 16, pp. 451-459es_ES
dc.subjectIluminaciónes_ES
dc.subjectManuscritoses_ES
dc.subjectColorante rojoes_ES
dc.subjectTécnica de conservaciónes_ES
dc.subjectIslamismoes_ES
dc.titleOrganic red colorants in Islamic manuscripts (12th-15th c.) produced in al- Andalus, part 1es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
iaph.disponibilidad.externoConsulta, reproducción, uso públicoes_ES
iaph.disponibilidad.internoConsulta, reproducción, uso públicoes_ES
dc.identifier.doihttps://doi.org/10.1016/j.dyepig.2019.03.061es_ES
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